Apparently I managed a creative afternoon as well as the morning, hence the double posts!
I finished the embroidery on my pears:
We also had an enjoyable couple of hours at Birmingham Museum and Art Gallery, looking around the Pre-Raphaelite and Staffordshire Horde galleries.
I found a couple of pieces that inspired me, so sketched a couple of quick drawings to remind me, with the potential for them to become stamps or stencils later.
There were many lovely patterns in the Staffordshire Horde gallery, including a couple of large samples of metalwork for people to touch, so I took rubbings of them.
Today I got up and did a bit of Gelliping while Simon was making breakfast for his mum and dad who are staying with us. I decided to change away from my usual cool colours, so experimented with printing in yellow, orange and red:
Some printed tags and deli paper:
The printed spread in my sketchbook:
Today, I put a few stitches into the first of the printed pears for my travelling book. Four wheels, to mimic the fragmented circles in the background.
I also did some colouring in my little A6 book, which I’d printed into this week.
Today I needed to make a start on my page for my Embroiderers’ Guild Travelling Book. I’d decided I want to do a piece inspired by the pears in my long sketchbook, so I bought some pears on huge way home, and set about printing.
I printed a bunch of pears, using a range of stamps and texture tools. I was happiest with the Gelli plate prints on deli paper, whereas last time the prints directly from the pear worked better.
I printed 15 deli paper pears in the end:
As well as some nice page beginnings in my lovely long sketchbook, which is good, because I have coloured every square inch of the previous pages!
I also bonded three of the deli paper pears to calico, and I’m going to stitch into these for my travelling book page.
Today I did some more hand stitching on the pink squares, adding French knots to the bottom of the fly stitch square, to ground it a bit.
I also added three more flower heads to the seed stitch square, which I think just needs stems and some French knots.
Today, I cut 4 more stamps for use on my Gelli plate, while watching The IT Crowd.
The top left one is based on a pattern I like drawing, which I call onions. The brick pattern was simple to create, and I think it will be useful. Simon suggested the octagons, from which I had squares left over, so made the bottom right one.
Looking forward to trying them out on the Gelli plate.
One of the things I enjoyed at the Retreat was lots of use of geometric shapes, especially when combined with natural forms and objects. I think part of this comes from patterns used by Desigual, a Spanish clothing company, for example this scarf which I bought on honeymoon.
I spent today (having popped out for more supplies) making these stamps for use on my Gelli plate, all A6 sized:
I’ve started a ‘directory’ of my handmade stamps, sorted by category, so I can flip through and find whatever I’m looking for in the future. In each, the page on the left is the resulting Gelli plate print, and on the right is the off print from my stamp, which is still quite faint as the funky foam is new. Lots of pics!