This morning, I set a batch of chutney going, using the apples from our tree. It’s been slowly brewing for hours now, so soon I will have to go and jar it up.
I’ve also discovered I can use my pyrography tool as a hot stencil cutter, so I cut the stencils in much quicker time and better detail than I was expecting. It’s hard to photograph clear plastic, so the best thing I could think of was to hang them on my washing line:
Honeysuckle, comfrey, ivy.
Bumble bee, lavender, apple blossom, chives.
I also cut positive and negative stamps of the bee, apple, ivy, and comfrey.
And blocked the Turner’s Hill TV tower piece.
Yesterday, I made some coffee pot stamps to go with the stencils. They are both double sided, with the positive image on one side, and the negative on the other:
This morning I cut a couple of word stencils to go with the coffee pots; milk and coffee in Italian:
Trying them out with dabbers:
I did some printing with them and the stamps:
The Gelli plate prints were sometimes a bit indistinct, whereas I liked the crisp lines of the directly printed stencils, so I combined them both:
I love the way that dye transforms prints. I had about 6 sketchbooks on the go, so I have lots of lovely prints to work into in the evenings ahead.
Some of the pages in my small sketchbook:
I made this zigzag book and card to use as tip ins in my sketchbooks:
And I started decanting my dyes into pots that are all the same size. Previously they were in miscellaneous jam jars, which got me going using dyes, but wasn’t good for easy storage:
A lovely, long day of making.
The Embroiderers’ Guild West Midlands Regional Day competition this year is Within 1000 Footsteps, drawing inspiration from the local area. I live within walking distance of Turners Hill, near Dudley, which many Black Country folk will know because of its distinctive TV transmitter:
I cut a stencil mask of it, and a couple of stamps (both positive and negative) of the daisies which cover the nearby Darbys Hill in summer.
First I printed in my sketchbook, using the mask to print both negative images as normal, and positive ones, by rolling firmly over it onto other pages once it had paint on it.
I then went on to printing on fabric:
I worked into the sketchbook pages with gelatos, getting to know the colours better:
I also over dyed the background for this, my competition entry:
Sadly, when pressing it, I scorched it:
Gelatos to the rescue! They are opaque, so covered the scorch well:
I’m now working on adding hand stitching to the flowers, so I’ll share progress soon.
My WordPress app kept crashing whenever I added pictures to a blog post, but that seems to be fixed now, so hopefully I can get back to blogging more regularly.
I finished these stamps, inspired by LAND at Lowsonford.
Then I got the gelli plate out for the first time in ages and did some printing with them:
I masked part of the gelli plate off to get a long thin section, which made it easier to manage:
A great day meeting up with Tina, Clare and Margaret to talk about our progress so far on work inspired by LAND. We shared what we had been up to, and it seems we’re all thinking about something including textures and layers.
I started cutting this foam stamp at lunch, another figure, with shapes cut out to make a more interesting inside:
I did some more work on the LAND inspired pieces today. I want to work more into it, so I cut this stamp, ready to be mounted:
Hopefully I’ll get the time to print into it at the weekend. I’m contemplating cutting more polyhedral shapes out of it to break the stamp up a bit, but I might do that to a second stamp instead of this one.
I also traced over the main lines on two layers of acetate for this image.
The top layer is just the large leaves in the foreground, and the berry like shapes in the background:
The back layer is the figure and the main part of the leaves:
I think this has been helpful to help me understand the shape and layers of the elements of the image.
Today I’ve got an Embroiderers’ Guild meeting after work, planning for our Regional Day, so I did my 15 minutes before work. I mounted the individual wooden spoon stamps:
I also gave everything a coat of gesso as a primer, so that it takes the paint more easily. I find that, without it, the first few prints are not very satisfying, rather pale and blotchy.